Up Early With The French New Wave

If you’re ever in our neck of the woods at 5AM on a Monday morning, you can join us for a movie screening at our office. Yes, I said 5AM. For years, Lee and I have been wanting to find more time to watch and study classic and influencial films. But with running the business and keeping up with our wives and children, it’s been really hard to find the time. Thus, “the 5AM” was born. If you’re willing to get up at 5 in the morning, you’ll find there are far fewer demands on your time.

For the last couple of weeks, we’ve been checking out films from the French New Wave. Here’s a blurb from Wikipedia about the movement:

The New Wave (French: la Nouvelle Vague) was a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s, influenced (in part) by Italian Neorealism. Although never a formally organized movement, the New Wave filmmakers were linked by their self-conscious rejection of classical cinematic form and their spirit of youthful iconoclasm. Many also engaged in their work with the social and political upheavals of the era, making their radical experiments with editing, visual style, and narrative part of a general break with the conservative paradigm.

So far we’ve taken in, Truffaut’s 400 Blows and Godard’s Band of Outsiders. Interestingly, Band of Outsiders in French is Band A Part, and that’s where Tarintino’s company that produced films like Reservoir Dogs and Pulp Fiction got its name. If you watch Band of Outsiders and you know Tarintino’s films, you’ll definitely pick up on some of the influences there. I really liked both films, but Band of Outsiders was my favorite of the two. I just love the way these films feel real and alive and stripped down. The way that you can sense the filmmaker behind the camera. There is a joy in them. The joy of filmmaking and of storytelling and of trying to say something that matters.

If you have any suggestions for films we should definitely see, let us know what they are and we’ll add them to our list. I get to pick the next film and I think I’m going to switch us over to an Italian track and pick up a copy of Bertolluci’s The Conformist.

Tags: cinematography, Eleven72 Recommends, General, storytelling

This entry was posted on Wednesday, May 30th, 2007 at 2:21 pm and is filed under News. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.